Feminist film theory and Cléo from 5 to 7 / Hilary Neroni.
Material type:![Computer file](/opac-tmpl/lib/famfamfam/CF.png)
- 9781501313721
- 791.43/6522 23
Item type | Home library | Call number | Status | Date due | Barcode | Item holds | |
---|---|---|---|---|---|---|---|
![]() |
S. R. Ranganathan Learning Hub Online | 791.43/6522 (Browse shelf(Opens below)) | Available | EB0954 |
Browsing S. R. Ranganathan Learning Hub shelves, Shelving location: Online Close shelf browser (Hides shelf browser)
791.43/6164095125 Hong Kong horror cinema / | 791.43/63526640951 Queer representations in Chinese-language film and the cultural landscape / | 791.43/6522 Gendering history on screen : women filmmakers and historical films / | 791.43/6522 Feminist film theory and Cléo from 5 to 7 / | 791.43/6522 Feminist film theory and Pretty woman / | 791.43/6522 The body and the screen : female subjectivity in contemporary women's cinema / | 791.43/6526912 There's no place like home : the migrant child in world cinema / |
Includes index.
The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cléo from 5 to 7. Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts-identification, framing the woman's body, and the female auteur-Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen
Electronic reproduction. London : Bloomsbury Publishing, 2016 Available via World Wide Web. Access limited by licensing agreement.
There are no comments on this title.