MARC details
| 000 -LEADER |
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| fixed length control field |
02321nmm a22003011i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230705144807.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
160427s2016 nyu o 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781501313721 |
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| Canceled/invalid ISBN |
9781501313684 (hardback) |
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| Canceled/invalid ISBN |
9781501313691 (paperback) |
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| Canceled/invalid ISBN |
9781501313707 (PDF) |
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| Canceled/invalid ISBN |
9781501313714 (electronic book) |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
791.43/6522 |
| Edition number |
23 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Neroni, Hilary, |
| Dates associated with a name |
1969- |
| Relator term |
author. |
| 9 (RLIN) |
18378 |
| 245 ## - TITLE STATEMENT |
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| Title |
Feminist film theory and Cléo from 5 to 7 / |
| Statement of responsibility, etc. |
Hilary Neroni. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
New York : |
| Name of publisher, distributor, etc. |
Bloomsbury Academic, |
| Date of publication, distribution, etc. |
2016. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource. |
| 500 ## - GENERAL NOTE |
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| General note |
Includes index. |
| 520 8# - SUMMARY, ETC. |
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| Summary, etc. |
The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cléo from 5 to 7. Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts-identification, framing the woman's body, and the female auteur-Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen |
| 533 ## - REPRODUCTION NOTE |
|---|
| Type of reproduction |
Electronic reproduction. |
| Place of reproduction |
London : |
| Agency responsible for reproduction |
Bloomsbury Publishing, |
| Date of reproduction |
2016 |
| Note about reproduction |
Available via World Wide Web. |
| -- |
Access limited by licensing agreement. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Feminism and motion pictures. |
| 9 (RLIN) |
18379 |
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| Topical term or geographic name entry element |
Feminist film criticism. |
| 9 (RLIN) |
18380 |
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| Topical term or geographic name entry element |
Women in motion pictures. |
| 9 (RLIN) |
18381 |
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| Source of heading or term |
Film theory & criticism |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781501313721?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781501313721?locatt=label:secondary_bloomsburyCollections</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
e-Book |
