000 02318nam a2200337Ia 4500
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001 978-3-031-17985-3
003 DE-He213
005 20240319121102.0
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008 230109s2023 sz | s |||| 0|eng d
020 _a9783031179853
_9978-3-031-17985-3
082 _a005.437;004.019
100 _aBaumann, Franziska.
_937585
245 _aEmbodied Human-Computer Interaction in Vocal Music Performance
_cby Franziska Baumann.
_h[electronic resource] /
250 _a1st ed. 2023.
260 _aCham
_bSpringer International Publishing
_c2023
300 _aXII, 81 p. 48 illus., 29 illus. in color.
_bonline resource.
520 _aThis SpringerBrief provides a unique insight into the practice and research of the connections between voice, HCI and embodiment. Specifically, it explores how the voice can be embodied and mediated by means of gestural communication through sensor interfaces and aims to situate and contextualise various aspects that generate meaningful connections in such interactive interface performance. The author offers an approach for understanding creative practices between humans and computers in gestural live music performance, from the perspective of the embodied relationships created within such systems. Underlying practices, principles and sensor technologies that support creativity in embodied human-computer interaction in vocal music performance are examined and a dynamic framework and tools for anyone wishing to engage with this subject in depth are presented. The book is essential reading not only for musicians, composers, researchers, application developers, musicologists and educators but also for students and tertiary institutions as well as actors and dramaturgs in a music context. .
650 _aAugmented reality.
_937586
650 _aHuman-computer interaction.
_937587
650 _aPerforming arts.
_937588
650 _aTheater.
_937589
650 _aTheatre and Performance Arts.
_937590
650 _aUser interfaces (Computer systems).
_937591
650 _aUser Interfaces and Human Computer Interaction.
_937592
650 _aVirtual and Augmented Reality.
_937593
650 _aVirtual reality.
_937594
856 _uhttps://doi.org/10.1007/978-3-031-17985-3
942 _cEBK
_2ddc
999 _c15725
_d15725