000			01973nam a2200277Ia 4500
000			02905nam a22003135i 4500
001			978-3-031-31451-3
003			DE-He213
005			20240319121004.0
007			cr nn 008mamaa
008			230714s2023 sz | s |||| 0|eng d
020			_a9783031314513 _9978-3-031-31451-3
082			_a780.0519
100			_aAlmada, Carlos de Lemos. _934621
245			_aMusical Variation _cby Carlos de Lemos Almada. _h[electronic resource] :
250			_a1st ed. 2023.
260			_aCham _bSpringer Nature Switzerland _c2023
300			_aXXXV, 307 p. 1 illus. _bonline resource.
520			_aThis book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951). The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music. The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis. The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research.
650			_aApplications of Mathematics. _934622
650			_aMathematics in Music. _934623
650			_aMathematics. _934624
650			_aMusic _934625
856			_uhttps://doi.org/10.1007/978-3-031-31451-3
942			_cEBK _2ddc
999			_c15491 _d15491