000 | 01673nmm a2200205 i 4500 | ||
---|---|---|---|
005 | 20230722112451.0 | ||
008 | 220119t20222022nyua fob 001|0|eng|d | ||
020 |
_a9780197558218 (ebook) : _cNo price |
||
082 | _a791.436 | ||
100 |
_aPalis, Eleni, _eauthor. _923387 |
||
245 |
_aClassical projections : _bthe practice and politics of film quotation / _cEleni Palis. |
||
260 |
_aNew York, NY : _bOxford University Press, _c[2022] |
||
300 |
_a1 online resource (x, 169 pages) : _billustrations (black and white, and colour). |
||
520 | _aQuotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images can quote one another, convening interaction and creating new knowledge across time. 'Classical Projections' offers 'film quotation' as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though film quotations have appeared since silent cinema, 'Classical Projections' focuses on quotations of classical Hollywood film-mainstream American studio production, 1915-1950 - as quoted in post-classical Hollywood, roughly 1960 to present. | ||
650 |
_aMotion pictures _xHistory. _923388 |
||
650 |
_aFilm within a film. _923389 |
||
650 |
_aAllusions in motion pictures. _923390 |
||
856 | _uhttp://dx.doi.org/10.1093/oso/9780197558171.001.0001 | ||
942 | _cEBK | ||
999 |
_c14099 _d14099 |