000			01584nmm a2200229 i 4500
005			20230722112443.0
008			170428r20192017nyua fob 001|0|eng|d
020			_a9780231543125 (ebook) : _cNo price
082			_a302.2343
100			_aBalsom, Erika, _eauthor. _922950
245			_aAfter uniqueness : _ba history of film and video art in circulation / _cErika Balsom.
260			_aNew York : _bColumbia University Press, _c2019.
300			_a1 online resource : _billustrations (black and white).
520			_aImages have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, 'After Uniqueness' traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity - or both at once.
650			_aMotion picture audiences _xHistory. _922951
650			_aVideo art _xHistory. _922952
650			_aMotion pictures and the arts. _922953
650			_aArt and motion pictures. _922954
650			_aMotion picture industry _xTechnological innovations. _922955
856			_uhttp://dx.doi.org/10.7312/columbia/9780231176934.001.0001
942			_cEBK
999			_c14003 _d14003