000			01412nmm a2200193 i 4500
005			20230722112442.0
008			171220s2018 ilua fob 001|0|eng|d
020			_a9780226513225 (ebook) : _cNo price
082			_a302.2343
100			_aRodowick, David Norman, _eauthor. _922916
245			_aWhat philosophy wants from images / _cD.N. Rodowick.
260			_aChicago : _bThe University of Chicago Press, _c2018.
300			_a1 online resource : _billustrations (black and white)
520			_aIn recent decades, contemporary art has displayed an ever increasing and complicated fascination with the cinema - or, perhaps more accurately, as D.N. Rodowick shows, a certain memory of cinema. Contemporary works of film, video, and moving image installation mine a vast and virtual archive of cultural experience through elliptical and discontinuous fragments of remembered images, even as the lived experience of film and photography recedes into the past, supplanted by the digital. Rodowick here explores work by artists such as Ken Jacobs, Ernie Gehr, Victor Burgin, Harun Farocki, and others - artists who are creating forms that express a new historical consciousness of images.
650			_aMotion pictures _xSocial aspects. _922917
650			_aAesthetics. _922918
856			_uhttp://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226513225.001.0001/upso-9780226513058
942			_cEBK
999			_c13995 _d13995