000			01841nmm a2200229 i 4500
005			20230722112442.0
008			171121s2018 stka fob 001|0|eng|d
020			_a9781474444668 (ebook) : _cNo price
082			_a791.430232
100			_aAtkinson, Sarah, _d1975- _eauthor. _922902
245			_aFrom film practice to data process : _bproduction aesthetics and representational practices of a film industry in transition / _cSarah Atkinson.
260			_aEdinburgh : _bEdinburgh University Press, _c2018.
300			_a1 online resource : _billustrations (black and white, and colour)
520			_aTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals? The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this text illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances.
630	0	0	_aGinger and Rosa (Motion picture) _922903
650			_aMotion pictures _xProduction and direction _xData processing. _922904
650			_aMotion picture industry _xTechnological innovations. _922905
650			_aMotion pictures _xAesthetics. _922906
650			_aDigital media _xInfluence. _922907
856			_uhttp://dx.doi.org/10.3366/edinburgh/9780748693580.001.0001
942			_cEBK
999			_c13992 _d13992