| 000 | 01754nmm a2200229 i 4500 | ||
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| 005 | 20230705145116.0 | ||
| 008 | 201013s2005||||ne o ||1 0|eng|d | ||
| 020 | _a9789048505173 (ebook) | ||
| 020 | _z9789053566022 (hardback) | ||
| 082 |
_a384/.8094 _222 |
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| 100 |
_aElsaesser, Thomas, _d1943-2019, _eauthor. _919560 |
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| 245 |
_aEuropean cinema: _bface to face with Hollywood / _cThomas Elsaesser. |
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| 260 |
_aAmsterdam : _bAmsterdam University Press _c2005. |
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| 300 |
_a1 online resource (563 pages) : _bdigital, PDF file(s). |
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| 500 | _aTitle from publisher's bibliographic system (viewed on 08 Feb 2021). | ||
| 520 | _aIn the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition. | ||
| 650 |
_aMotion picture industry _zEurope. _919561 |
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| 650 |
_aMotion pictures _zEurope. _919562 |
||
| 830 | 0 |
_aFilm culture in transition. _919563 |
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| 856 | _uhttps://www.cambridge.org/core/product/identifier/9789048505173/type/BOOK | ||
| 942 | _cEBK | ||
| 999 |
_c13537 _d13537 |
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