000			01744nmm a2200229 i 4500
005			20230705145115.0
008			201125s2017||||ne o ||1 0|eng|d
020			_a9789048530250 (ebook)
020			_z9789462980778 (hardback)
082			_a791.4301 _223
100			_aHven, Steffen, _eauthor. _919529
245			_aCinema and narrative complexity : _bembodying the fabula / _cSteffen Hven.
260			_aAmsterdam : _bAmsterdam University Press, _c2017.
300			_a1 online resource (253 pages) : _bdigital, PDF file(s).
500			_aTitle from publisher's bibliographic system (viewed on 14 Dec 2020).
505			_aCinema in the interstices -- Narrative ambiguity in the classical cinema -- Modern(ist) cinema: logic of the encounter -- Towards the embodied fabula -- The complexity of complex narratives -- Memento and the embodied fabula.
520			_aSince the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect.
650			_aMotion pictures _xHistory. _919530
830		0	_aFilm culture in transition. _919531
856			_uhttps://www.cambridge.org/core/product/identifier/9789048530250/type/BOOK
942			_cEBK
999			_c13530 _d13530