| 000 | 01722nmm a2200241 i 4500 | ||
|---|---|---|---|
| 005 | 20230705145113.0 | ||
| 008 | 190926s2019||||stk o ||1 0|eng|d | ||
| 020 | _a9781474416801 (ebook) | ||
| 020 | _z9781474416795 (hardback) | ||
| 082 |
_a791.43/6 _223 |
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| 100 |
_aMandelli, Elisa, _eauthor. _919441 |
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| 245 |
_aThe museum as a cinematic space : _bthe display of moving images in exhibitions / _cElisa Mandelli. |
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| 260 |
_aEdinburgh : _bEdinburgh University Press, _c2019. |
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| 300 |
_a1 online resource (xii, 160 pages) : _bdigital, PDF file(s). |
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| 500 | _aTitle from publisher's bibliographic system (viewed on 25 Oct 2019). | ||
| 520 | _aMoving images have become an increasingly common feature in a wide range of museums, which are frequently populated with screens and audio-visual projections. But when did films start to be displayed in museum galleries? And what are the issues at stake when showing moving images in exhibition spaces? With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design. Highlighting the continuities and fractures between different periods, contexts and practices, Elisa Mandelli shows the deep influence of audio-visuals on the configuration of the exhibition space, as well as on the relationship between museums and their visitors. | ||
| 650 |
_aMuseums in motion pictures. _919442 |
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| 650 |
_aMuseums and motion pictures. _919443 |
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| 650 |
_aMotion pictures _xExhibitions. _919444 |
||
| 830 | 0 |
_aEdinburgh studies in film and intermediality. _919445 |
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| 856 | _uhttp://www.cambridge.org/core/product/identifier/9781474416801/type/BOOK | ||
| 942 | _cEBK | ||
| 999 |
_c13512 _d13512 |
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