000			02938nmm a2200253 i 4500
005			20230705145111.0
008			210105s2010||||ne o ||1 0|eng|d
020			_a9789048508075 (ebook)
020			_z9789089640840 (hardback)
041	1		_aeng _hfre
082			_a791.4301 _223
245			_aCinema beyond film : _bmedia epistemology in the modern era / _cedited by François Albera and Maria Tortajada ; [translated by Lance Hewson].
260			_aAmsterdam : _bAmsterdam University Press, _c2010.
300			_a1 online resource (271 pages) : _bdigital, PDF file(s).
500			_aTitle from publisher's bibliographic system (viewed on 29 Jan 2021).
505			_aIntroduction to an epistemology of viewing and listening dispositives ; The 1900 episteme / François Albera and Maria Tortajada -- Projected cinema : a hypothesis on the cinema's imagination ; The case for an epistemography of montage : the Marey moment / François Albera -- The 'cinematographic snapshot' : rereading Etienne-Jules Marey ; The cinematograph versus photography, or cyclists and time in the work of Alfred Jarry / Maria Tortajada -- Dynamic paths of thought : exhibition design, photography and circulation in the work of Herbert Bayer ; The lecture : Le Corbusier's use of the word, drawing and projection / Olivier Lugon -- Dancing dolls and mechanical eyes : tracking an obsessive motive from balet to cinema / Laurent Guido -- From broadcast performance to virtual show : television's tennis dispositive / Laurent Guido -- The lecturer, the image, the machine and the audio-spectator : the voice as a component part of audiovisual dispositives / Alain Boillat -- On the singular status of the human voice : Tomorrow's eve and the cultural series of talking machines / Alain Boillat.
520			_aCinema Beyond Film elaborates on the theoretical uses of two key terms' dispositif and episteme in order to examine their relationship as well as their larger connections to film, technology, and modernity. Although both terms originate in the work of Foucault, dispositif ('deviceƒ') intrinsically links itself to the mechanics of movement and speed behind cinematics, while more generally referring to the mechanisms and structures that hold power in place. Episteme('to know'), on the other hand, refers to the conditions and possibilities of knowledge and reception, more than to technological innovation. Each term is explored here in relation to the other, allowing this edited collection to assess the wide array of potential materialities that arise from the mechanics behind cinema and the changing face of its technology.
650			_aMotion pictures _xPhilosophy. _919324
700			_aAlbéra, François, _d1948- _eeditor. _919325
700			_aTortajada, Maria, _eeditor. _919326
830		0	_aFilm culture in transition. _919327
856			_uhttps://www.cambridge.org/core/product/identifier/9789048508075/type/BOOK
942			_cEBK
999			_c13486 _d13486