000 | 01205nmm a2200229 i 4500 | ||
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005 | 20230705145109.0 | ||
008 | 210415s2018||||stk o ||1 0|eng|d | ||
020 | _a9781474423793 (ebook) | ||
020 | _z9781474423786 (hardback) | ||
082 |
_a791.436581 _223 |
||
100 |
_aHarvey, James, _d1987- _eauthor. _919263 |
||
245 |
_aJacques Rancière and the politics of art cinema / _cJames Harvey. |
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260 |
_aEdinburgh : _bEdinburgh University Press, _c2018. |
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300 |
_a1 online resource (143 pages) : _bdigital, PDF file(s). |
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500 | _aTitle from publisher's bibliographic system (viewed on 27 Apr 2021). | ||
520 | _aDrawing on case studies of films including Charlie Kaufman's Synecdoche, New York, Nuri Bilge Ceylan's Climates and John Akomfrah's The Nine Muses, this books asks to what extent is politics shaping art cinema? And, in turn, could art cinema possibly affect the political structure of the world as we know it? | ||
600 |
_aRancière, Jacques. _919264 |
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650 |
_aPolitics in motion pictures. _919265 |
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650 |
_aMotion pictures _xAesthetics _xPolitical aspects. _919266 |
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856 | _uhttps://www.cambridge.org/core/product/identifier/9781474423793/type/BOOK | ||
942 | _cEBK | ||
999 |
_c13473 _d13473 |