000			01677nmm a22002298i 4500
005			20230705145109.0
008			180831s2018||||enk o ||1 0|eng|d
020			_a9781783088249 (ebook)
020			_z9781783088232 (hardback)
082			_a791.4301 _223
245			_aThe Anthem handbook of screen theory / _cedited by Hunter Vaughan and Tom Conley.
260			_aLondon : _bAnthem Press, _c2018.
300			_a1 online resource (xv, 353 pages) : _bdigital, PDF file(s).
500			_aTitle from publisher's bibliographic system (viewed on 26 Sep 2018).
520			_aThe Anthem Handbook of Screen Theory' offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the "handbook" angle, the book includes only original essays from two primary sources: established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. The main purpose of this method is to guarantee a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and to reveal the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments.
650			_aMotion pictures _xPhilosophy. _919259
650			_aMotion pictures _xHistory. _919260
700			_aVaughan, Hunter, _eeditor. _919261
700			_aConley, Tom, _eeditor. _919262
856			_uhttp://www.cambridge.org/core/product/identifier/9781783088249/type/BOOK
942			_cEBK
999			_c13472 _d13472