000			03054nmm a22002411i 4500
005			20230705144821.0
008			190919s2012 enka ob 000 0 eng d
020			_a9781838713478
020			_z9781844573493 (paperback)
041			_aeng
100			_aWheatley, Catherine, _eauthor. _919025
245			_aCache (Hidden) / _cCatherine Wheatley.
250			_aFirst edition.
260			_aLondon : _bBritish Film Institute, _c2012.
300			_a1 online resource (112 pages) : _billustrations.
500			_aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
504			_aIncludes bibliographical references.
520			_a"Ever since its world premiere at the Cannes film festival in May 2005, audiences have been talking about Michael Haneke's Caché. The film's enigmatic and multi-layered narrative leaves its viewers with many more questions than answers. The plot revolves around the mystery of who is sending a series of sinister videos and drawings to Georges Laurent (Daniel Auteuil), the presenter of a literary talkshow. As Georges becomes increasingly secretive, much to the distress of his wife Anne (Juliette Binoche), a culprit fails to surface. And even at the film's end, audiences are left struggling to make sense of what has gone before. This hasn't stopped people trying. As Catherine Wheatley examines, a wealth of critical writing surrounds Caché, with various explanations having been offered as to what the film is 'really' about. In an in-depth and illuminating account, Wheatley examines the key themes at the heart of the 'meaning' of Caché: the film as thriller; post-colonial bourgeois guilt; political accountability and lastly, reality, the media and its audiences, tracing these strands through the film by means of close readings of individual scenes and moments. Inspired by the director's claim that we might understand the film as a set of Russian dolls, each of which is complete in itself but together forms a whole in which layers of unseen depth are concealed, Wheatley avoids a single, unifying approach to understanding Caché. Instead, her detailed analysis of the film's shifting perspectives opens up the multiplicity of meanings that Caché contains, in order to understand its secrets. ?Ever since its world premiere at the Cannes film festival in May 2005, audiences have been talking about Michael Haneke's Caché. The film's enigmatic and multi-layered narrative leaves its viewers with many more questions than answers."--Bloomsbury Publishing.
533			_aElectronic reproduction. _bLondon : _cBloomsbury Publishing, _d2019. _nAvailable via World Wide Web. _nAccess limited by licensing agreement.
600	1	0	_aHaneke, Michael, _d1942- _xCriticism and interpretation. _919026
856			_uhttps://doi.org/10.5040/9781838713478?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13413 _d13413