000			01883nmm a22002531i 4500
005			20230705144816.0
008			150326s2004 nyua ob 001 0deng d
020			_a9781628929065
020			_z9780826415585 (hardback)
020			_z9780826415592 (paperback)
041			_aeng
082			_a791.4302/33/092 _222
100			_aKickasola, Joseph G., _eauthor. _918792
245			_aThe films of Krzysztof Kieślowski : _bthe liminal image / _cJoseph G. Kickasola.
260			_aNew York : _bContinuum, _c2004.
300			_a1 online resource (xix, 332 pages) : _billustrations
504			_aIncludes bibliographical references and index.
520	8		_aPerhaps the greatest European director of the last 30 years, Krzsztof Kieslowski created a remarkable body of work in a relatively short period of time. His films are loved around the world for their dramatic power and consummate artistry. Kieslowski's cinematic style stands apart in several important respects: his mastery of abstract imagery, his innovative use of sound and his deliberate circumvention of standard cinematic codes. Unlike many other "art" directors - who often fail to rise above commentary on the medium itself - Kieslowski uses these stylistic liberties to explore his philosophical concerns: fate, God, suffering, and love. Through close analysis of films like The Decalogue, The Double Life of Veronique, Blue, White and Red, Joe Kickasola identifies the unique qualities, and artistic legacy, of this great director
533			_aElectronic reproduction. _bLondon : _cBloomsbury Publishing, _d2015 _nAvailable via World Wide Web. _nAccess limited by licensing agreement.
600	1	0	_aKieślowski, Krzysztof, _d1941-1996 _xCriticism and interpretation. _918793
650			_2Popular culture
856			_uhttps://doi.org/10.5040/9781628929065?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13358 _d13358