000			02171nmm a22002774i 4500
005			20230705144816.0
008			120709s2012 nyua bq 001 0 eng c
020			_a9781628928983
020			_z9781441168696 (hardback)
020			_z9781623563936 (paperback)
041			_aeng
082			_a791.43/6 _223
245			_aStage and screen : _badaptation theory from 1916 to 2000 / _cedited by Bert Cardullo.
246	3	0	_aAdaptation theory from 1916 to 2000
260			_aNew York ; _aLondon : _bContinuum, _c2012.
300			_a1 online resource (xi, 276 pages) : _billustrations
504			_aIncludes filmography (pages 231-250), bibliographical references (pages 253-267), and index.
520	8		_aFar too often young theater and film artists, as well as educators, make the jump from film to theater without being fully aware of the ways in which the qualities of each medium affect content and artistic expression. Starting with a history of the relationship between theater and film, the collection includes essays from a variety of writers, directors, and theorists by examining the differences between working in, and creating for, drama and film. The playwright Bernard Shaw looks at the differences between the two industries, audiences, and writing processes affect the author's artistic control. Critic-theorists like Siegfried Kracauer and Susan Sontag consider the similarities and differences that arise from the intrinsic qualities of each medium, touching on structure, technique, and dialogue, as well as audience experience. Professor Cardullo's collection provides a theoretical and practical foundation for understanding the effect that film and drama have had, and continue to have, on each other's development.
533			_aElectronic reproduction. _bLondon : _cBloomsbury Publishing, _d2014. _nAvailable via World Wide Web. _nAccess limited by licensing agreement.
650			_aFilm adaptations. _918789
650			_aStage adaptations. _918790
650			_2Theatre studies
700	1		_aCardullo, Bert, _eeditor. _918791
856			_uhttps://doi.org/10.5040/9781628928983?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13357 _d13357