000			02199nmm a2200337 i 4500
005			20230705144814.0
008			220105s2022 enk ob 101 0 eng d
020			_a9781501378614 _q(online)
020			_a9781501378645 _q(ePub)
020			_z9781501378621 _q(softback)
020			_z9781501378652 _q(hardback)
072		7	_aAPFB _2bicssc
072		7	_aAPFA _2bicssc
072		7	_aKNTC _2bicssc
082			_a791.430233092 _223
100			_aKirl̀y, Hajnal, _eauthor. _918701
245			_aThe cinema of Manoel de Oliveira : _bmodernity, intermediality and the uncanny / _cHajnal Kirl̀y.
250			_aFirst edition.
260			_aLondon [England] : _bBloomsbury Academic, _c2022
264			_a[London, England] : _bBloomsbury Publishing, _c2022
300			_a1 online resource (208 pages).
500			_aIncludes index.
520			_a"Manoel de Oliveira is the only filmmaker whose career spans from the silent era to the digital age, and yet there is little written in English about his extensive filmography. This volume, the first to discuss Oliveira's later works in English, fills this incredible gap in scholarship on the director with fresh and original analysis of over 50 of Oliveira's films, ranging from 1963's Rite of Spring to 2009's Eccentricities of a Blonde-haired Girl. Organized by tropes and topics, rather than chronological order of release, The Cinema of Manoel de Oliveira creates a unique lens through which to consider the director and the ways in which his work links cinema, literature, and other artforms. Hajnal Kirl̀y sheds new light on Oliveira's filmography with new readings of his work in relation to 20th and 21st century history."-- _cProvided by publisher.
600	1	0	_aOliveira, Manoel de, _d1908-2015 _xCriticism and interpretation. _918702
650		4	_aMotion pictures _zPortugal _xCriticism and interpretation. _918703
650			_aIndividual film directors, film-makers _2bicssc _918704
650			_aFilm theory & criticism _2bicssc _918705
650			_aCinema industry _2bicssc _918706
856			_3Abstract with links to full text _uhttps://doi.org/10.5040/9781501378614?locatt=label:secondary_bloomsburyCollections _qtext/html
942			_cEBK
999			_c13339 _d13339