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005 | 20230705144813.0 | ||
008 | 220203s2022 enk ob 101 0 eng d | ||
020 |
_a9781501370335 _q(online) |
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020 |
_a9781501370359 _q(ePub) |
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020 |
_z9781501370366 _q(softback) |
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_z9781501370373 _q(hardback) |
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072 | 7 |
_aAPFA _2bicssc |
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_aAPFN _2bicssc |
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_aAVGC9 _2bicssc |
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082 |
_a782.1 _223 |
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100 |
_aAttard, Joseph, _eauthor. _918676 |
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245 |
_aOpera cinema : _ba new cultural experience / _cJoseph Attard. |
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250 | _aFirst edition. | ||
260 |
_aLondon [England] : _bBloomsbury Academic, _c2022 |
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264 |
_a[London, England] : _bBloomsbury Publishing, _c2022 |
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300 | _a1 online resource (256 pages). | ||
504 | _aIncludes bibliographical references and index. | ||
520 |
_a"Based partly on the impressions of 100 'opera virgins', this book investigates the nature of opera cinema, and the implications it poses for opera and culture more generally in the digital age. In 2006, the Metropolitan Opera in New York launched its Live From the Met in HD series with Julie Taymor's abridged, English-language production of Mozart's Die Zauberflèote . This novel hybrid of live performance and a night at the movies wowed audiences and sparked a minor boom in the streaming of live content to a network of cinemas. While ?event cinema? is now a major industry and a unique media experience with its own aesthetic, technical and experiential characteristics, opera cinema has developed beyond an alternative mode of engaging with opera into a new art form, which blends live performance with television, cinema and digital communication. But what are the implications for opera? Is simulcasting bringing new audiences into the fold? Is it changing stage opera? And what does it mean for the ontology of opera that it now has a bigger audience on the screen than the stage? In any case, opera cinema is significant to debates about the ontology of live performance, the boundaries of different media forms, the tension between so-called elite and popular culture, and democratisation of the arts."-- _cProvided by publisher. |
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650 |
_aOperas _xFilm adaptations _xHistory and criticism. _918677 |
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650 |
_aMotion pictures and music. _918678 |
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650 |
_aFilm theory & criticism _2bicssc _918679 |
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650 |
_aFilm: styles & genres _2bicssc _918680 |
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650 |
_aOpera _2bicssc _918681 |
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856 |
_3Abstract with links to full text _uhttps://doi.org/10.5040/9781501370335?locatt=label:secondary_bloomsburyCollections _qtext/html |
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942 | _cEBK | ||
999 |
_c13335 _d13335 |