000 02598nmm a2200337 i 4500
005 20230705144813.0
008 220203s2022 enk ob 101 0 eng d
020 _a9781501370335
_q(online)
020 _a9781501370359
_q(ePub)
020 _z9781501370366
_q(softback)
020 _z9781501370373
_q(hardback)
072 7 _aAPFA
_2bicssc
072 7 _aAPFN
_2bicssc
072 7 _aAVGC9
_2bicssc
082 _a782.1
_223
100 _aAttard, Joseph,
_eauthor.
_918676
245 _aOpera cinema :
_ba new cultural experience /
_cJoseph Attard.
250 _aFirst edition.
260 _aLondon [England] :
_bBloomsbury Academic,
_c2022
264 _a[London, England] :
_bBloomsbury Publishing,
_c2022
300 _a1 online resource (256 pages).
504 _aIncludes bibliographical references and index.
520 _a"Based partly on the impressions of 100 'opera virgins', this book investigates the nature of opera cinema, and the implications it poses for opera and culture more generally in the digital age. In 2006, the Metropolitan Opera in New York launched its Live From the Met in HD series with Julie Taymor's abridged, English-language production of Mozart's Die Zauberflèote . This novel hybrid of live performance and a night at the movies wowed audiences and sparked a minor boom in the streaming of live content to a network of cinemas. While ?event cinema? is now a major industry and a unique media experience with its own aesthetic, technical and experiential characteristics, opera cinema has developed beyond an alternative mode of engaging with opera into a new art form, which blends live performance with television, cinema and digital communication. But what are the implications for opera? Is simulcasting bringing new audiences into the fold? Is it changing stage opera? And what does it mean for the ontology of opera that it now has a bigger audience on the screen than the stage? In any case, opera cinema is significant to debates about the ontology of live performance, the boundaries of different media forms, the tension between so-called elite and popular culture, and democratisation of the arts."--
_cProvided by publisher.
650 _aOperas
_xFilm adaptations
_xHistory and criticism.
_918677
650 _aMotion pictures and music.
_918678
650 _aFilm theory & criticism
_2bicssc
_918679
650 _aFilm: styles & genres
_2bicssc
_918680
650 _aOpera
_2bicssc
_918681
856 _3Abstract with links to full text
_uhttps://doi.org/10.5040/9781501370335?locatt=label:secondary_bloomsburyCollections
_qtext/html
942 _cEBK
999 _c13335
_d13335