000			02006nmm a2200229ia 4500
008			160926s2022 enka ob 001 0 eng
020			_z9780567695352 _q(hbk)
020			_z9780567701718 _q(pbk)
020			_a9780567695369 _q(pdf)
020			_a9781501369087 _q(online)
082			_a791.430955 _223/eng/20220208
100			_aJāhid, Parvīz, _eauthor. _918673
245			_aThe new wave cinema in Iran : _ba critical study / _cParviz Jahed.
260			_aLondon : _bBloomsbury Publishing, _c2022.
300			_a1 online resource (240 pages) : _b51 black and white illustrations
504			_aIncludes bibliographical references and index.
520			_a"The New Wave Cinema in Iran is a historical and analytical study of the Iranian New Wave Cinema (Mowj-e No) as an artistic and intellectual movement that came to its best early productions between 1958 and 1978. As the movement has a long history, Parviz Jahed focuses on the development and the early progression of the movement in the 1960s and explores its emergence and development in the context of the cultural and social conditions of Iran during this period. Jahed first defines the term 'New Wave' in Iran's film culture, in order to identify the root elements that gave traction to this movement. He analyses the degree to which different elements and factors have contributed to the formation of this cinema, accounting for the different approaches of Iranian intellectual filmmakers towards modernity and a modern form of cinema in Iran. The book finishes by studying the works of three intellectual figures and influential filmmakers of the 1960s, Ebrahim Golestan, Farrokh Ghaffari, and Feraydoon Rahnama, who are arguably considered the forerunners of the New Wave Cinema in Iran"-- _cProvided by publisher.
650			_aMotion pictures _zIran _xHistory _y20th century. _918674
650			_aNew wave films _zIran. _918675
856			_uhttps://doi.org/10.5040/9781501369087?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13334 _d13334