| 000 | 01673nmm a2200373 i 4500 | ||
|---|---|---|---|
| 005 | 20230705144810.0 | ||
| 008 | 220131s2022 enk ob 100 0 eng d | ||
| 020 |
_a9781501349713 _q(ebook) |
||
| 020 |
_z9781501349706 _q(PDF) |
||
| 020 |
_z9781501349683 _q(print) |
||
| 020 |
_z1501349708 _q(print) |
||
| 020 |
_z9781501349706 _q(print) |
||
| 020 |
_z1501349694 _q(print) |
||
| 020 |
_z9781501349690 _q(print) |
||
| 020 |
_z1501349716 _q(print) |
||
| 072 | 7 |
_aAPFA _2bicssc |
|
| 072 | 7 |
_aAPFN _2bicssc |
|
| 072 | 7 |
_aHP _2bicssc |
|
| 082 |
_a791 _223 |
||
| 100 |
_aKilleen, Padraic, _eauthor _918542 |
||
| 245 |
_aThe dark interval : _bfilm noir, iconography, and affect / _cPadraic Killeen. |
||
| 250 | _aFirst edition. | ||
| 260 |
_aLondon [England] : _bBloomsbury Academic, _c2022. |
||
| 264 |
_a[London, England] : _bBloomsbury Publishing, _c2022 |
||
| 300 | _a1 online resource. | ||
| 520 | _a"Invoking key concepts from the philosophical writings of Gilles Deleuze and Giorgio Agamben, The Dark Interval examines an iconography of radical passivity and temporal rupture that recurs in film noir, while examining the emergence of a specific cinematic figure - the 'intervallic' noir protagonist exposed to the redemptive force of his or her own passion" | ||
| 650 |
_aFilm noir _xHistory and criticism. _918543 |
||
| 650 |
_aMotion pictures _xPhilosophy. _918544 |
||
| 650 |
_aFilm theory & criticism _2bicssc _918545 |
||
| 650 |
_aFilm: styles & genres _2bicssc _918546 |
||
| 650 |
_aPhilosophy _2bicssc _918547 |
||
| 856 |
_3Abstract with links to full text _uhttps://doi.org/10.5040/9781501349713?locatt=label:secondary_bloomsburyCollections |
||
| 942 | _cEBK | ||
| 999 |
_c13310 _d13310 |
||