000			02086nmm a22002891i 4500
005			20230705144810.0
008			180205s2019 enk ob 001 0 eng d
020			_a9781501340819
020			_z9781501340772 (paperback)
020			_z9781501340789 (hardback)
020			_z9781501340796 (electronic book)
020			_z9781501340802 (PDF)
041			_aeng
082			_a791.43/658 _223
100			_aThanouli, Eleftheria, _eauthor. _918508
245			_aHistory and film : _ba tale of two disciplines / _cby Eleftheria Thanouli.
260			_aLondon : _bBloomsbury Publishing, _c2019.
300			_a1 online resource (x, 279 pages)
504			_aIncludes bibliographical references and index.
520			_a"History and Film: A Tale of Two Disciplines addresses the representation of history in cinema, a much-argued debate on the need to understand cinematic history in its own terms and develop a certain vocabulary for discussing historical films, their relation to public history, and their impact on public historical consciousness. Eleftheria Thanouli does this by changing the agenda altogether - combining a macro-level perspective with a micro-level one in order to argue that cinematic history is the dominant form of historiography in the 20th century, as it succeeded in remediating and repurposing the key formal, rhetorical, and ideological practices of 19th-century professional historiography. With case studies ranging from The Thin Red Line and Life is Beautiful, to The Fog of War and The Last Bolshevik, Thanouli bridges the gap between history and film studies and lays the foundations for a new visual historiography."--Bloomsbury Publishing.
533			_aElectronic reproduction. _bLondon : _cBloomsbury Publishing, _d2018 _nAvailable via World Wide Web. _nAccess limited by licensing agreement.
650			_aHistorical films _xHistory and criticism. _918509
650			_aHistory in motion pictures. _918510
650			_2Films, cinema
856			_uhttps://doi.org/10.5040/9781501340819?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13303 _d13303