000 02649nmm a22003011i 4500
005 20230705144808.0
008 171115s2017 nyu ob 000 0 eng d
020 _a9781501328848
020 _z9781501328824 (PDF)
020 _z9781501328831 (electronic book)
020 _z9781501328855 (hardback)
041 _aeng
082 _a791.43/67
_223
100 _aEzra, Elizabeth,
_d1965-
_eauthor.
_918435
245 _aThe cinema of things :
_bglobalization and the posthuman object /
_cElizabeth Ezra.
260 _aNew York :
_bBloomsbury Academic,
_c2017.
300 _a1 online resource
504 _aIncludes bibliographical references.
520 8 _aThis book explores the border zones between life and non-life as represented in cinema from the end of the nineteenth century, when France led the global film industry, to the first decades of the twenty-first century, when world film markets are dominated by Hollywood. Informed by both the Internet of Things and the Parliament of Things, The Cinema of Things examines cinematic depictions of the ways in which human beings are prosthetically engaged with life beyond the self in the global age: by hyperconsumption; by structures of racial and sexual objectification that reduce people designated as "others" to objects of fascination, sexual gratification, warfare, or labor; and by information technology that replaces human agency with encoding. Consumer culture, a key feature of globalization, posits that we must supplement ourselves with commodities without which we would otherwise be incomplete: but these prostheses, rather than enhancing us, end up creating the insufficiencies they were meant to overcome. We are engulfed by objects, to the extent that we ourselves are becoming objectified. At the same time, objects, especially technological objects, are becoming increasingly autonomous, assuming roles that were once the preserve of human agency. We are becoming the objects of globalization, and cinema imaginatively represents this transformation, but it also offers us the possibility of retaining our humanity in the process
533 _aElectronic reproduction.
_bLondon :
_cBloomsbury Publishing,
_d2017
_nAvailable via World Wide Web.
_nAccess limited by licensing agreement.
650 _aExoticism in motion pictures.
_918436
650 _aMotion pictures and globalization.
_918437
650 _aMotion pictures
_xSetting and scenery.
_918438
650 _aObject (Philosophy) in motion pictures.
_918439
650 _2Film theory & criticism
856 _uhttps://doi.org/10.5040/9781501328848?locatt=label:secondary_bloomsburyCollections
942 _cEBK
999 _c13290
_d13290