000 02214nmm a22002771i 4500
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008 180618s2018 nyu ob 001 0 eng d
020 _a9781501327285
020 _z9781501327261 (PDF)
020 _z9781501327278 (electronic book)
020 _z9781501327292 (hardback)
041 _aeng
100 _aBrown, William,
_d1977-
_eauthor.
_918422
245 _aNon-cinema :
_bglobal digital film-making and the multitude /
_cWilliam Brown.
260 _aNew York, NY :
_bBloomsbury Academic,
_c2018.
300 _a1 online resource (ix, 302 pages).
504 _aIncludes bibliographical references (pages 271-290) and index.
520 _a"Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa."--Bloomsbury Publishing.
533 _aElectronic reproduction.
_bLondon :
_cBloomsbury Publishing,
_d2018
_nAvailable via World Wide Web.
_nAccess limited by licensing agreement.
650 _aCult films.
_918423
650 _aMotion pictures and history.
_918424
650 _aMotion pictures
_xHistory.
_918425
650 _2Films, cinema
856 _uhttps://doi.org/10.5040/9781501327285?locatt=label:secondary_bloomsburyCollections
942 _cEBK
999 _c13287
_d13287