000			02816nmm a2200325 i 4500
005			20230705144803.0
008			191015r20192018enka ob 101 0 eng d
020			_a9781350988552
020			_z9781784538163 _q(print)
020			_z1784538167 _q(hardback)
020			_z9781786723345 _q(eISBN)
020			_z9781786733344 _q(ePDF)
082			_a791.4302/33092 _223
100			_aDiken, Bülent, _eauthor. _918237
245			_aThe cinema of Nuri Bilge Ceylan : _bthe global vision of a Turkish filmmaker / _cBülent Diken, Graeme Gilloch and Craig Hammond.
250			_aFirst edition.
260			_aLondon, England : _bI.B. Tauris & Co. Ltd, _c2018.
264			_aLondon, England : _bBloomsbury Publishing, _c2019.
300			_a1 online resource (xi, 190 pages) : _billustrations.
504			_aIncludes bibliographical references (pages 169-175) and index.
520			_a"Filmmaker Nuri Bilge Ceylan's meditative, visually stunning contributions to the 'New Turkish Cinema' have marked him out as a pioneer of his medium. Reaping success from his prize-winning, breakout film Uzak (2002), and from alter festival favourites Once Upon a Time in Anatolia (2011) and Winter Sleep (2014), he has quickly established himself as an original and provocative writer, director and producer of twenty-first-century cinema. In an age where Turkey's modernization has created societal tensions and departures from past tradition, Ceylan's films present a cinema of dislocation and a vision of 'nostalgia' understood as homesickness: sick of being away from home; sick of being at home. This book offers an overdue study of Ceylan's work and a critical examination of the principle themes therein. In particular, chapters focus on time and space, melancholy and loneliness, absence, rural and urban experience, and notions of paradox, as explored through films which are often slow and uncompromising in their pessimistic outlook. Moving on from the tendency to situate Ceylan's oeuvre exclusively within the canon of 'New Turkish Cinema', one of this book's major achievements is also to assess the influence of classic European thought, literature and film and how such a notably minimal--and in many ways nationally specific--approach translates to an increasingly transnational context for film"--Back cover.
600	1	0	_aCeylan, Nuri Bilge, _d1959- _xCriticism and interpretation. _918238
650			_aMotion picture producers and directors _zTurkey. _918239
650			_2Individual film directors, film-makers
700	1		_aGilloch, Graeme, _eauthor. _918240
700	1		_aHammond, Craig A., _eauthor. _918241
710	2		_aBloomsbury (Firm), _epublisher. _918242
856			_3Abstract with links to full text _uhttps://doi.org/10.5040/9781350988552?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13245 _d13245