000			01885nmm a2200325 i 4500
005			20230705144803.0
008			191015r20192017enka ob 101 0 eng d
020			_a9781350986633
020			_z9781784538422 _q(print)
020			_z1784538426 _q(hardback)
020			_z9781786722744 _q(eISBN)
020			_z9781786732743 _q(ePDF)
082			_a791.4302/33092 _223
100			_aFox, Albertine, _eauthor. _918213
245			_aGodard and sound : _bacoustic innovation in the late films of Jean-Luc Godard / _cAlbertine Fox.
250			_aFirst edition.
260			_aLondon, England : _bI.B. Tauris & Co. Ltd, _c2017.
264			_aLondon, England : _bBloomsbury Publishing, _c2019.
300			_a1 online resource (xiii, 274 pages) : _billustrations.
504			_aIncludes bibliographical references (pages 241-257), discography (page 261), filmography (pages 259-261), and index.
520			_aAlbertine Fox is Lecturer in French Film at the University of Bristol. She has published on film sound, music and voice in relation to Jean-Luc Godard's cinema and video art. Her articles have appeared in Studies in French Cinema, SEQUENCE, and Sight & Sound online and her article 'Constructing Voices in Jean-Luc Godard's Sauve qui peut (la vie) (1979)' was awarded the 2014 Susan Hayward Prize by the Association for Studies in French Cinema. Book jacket.
600	1	0	_aGodard, Jean-Luc, _d1930- _xCriticism and interpretation. _918214
650			_aSound in motion pictures _xHistory and criticism. _918215
650			_aMotion picture music _xHistory and criticism. _918216
650			_aMotion pictures _xSound effects _xHistory. _918217
650			_2Film theory & criticism
710	2		_aBloomsbury (Firm), _epublisher. _918218
856			_3Abstract with links to full text _uhttps://doi.org/10.5040/9781350986633?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13240 _d13240