000			03318nmm a22003011i 4500
005			20230705144800.0
008			191011s2019 enka ob 001 0 eng d
020			_a9781350124295
020			_z9781350113282 (electronic book)
020			_z9781350113299 (pdf)
020			_z9781784537005 (hardback)
041			_aeng
245			_aWomen artists, feminism and the moving image : _bcontexts and practices / _cedited by Lucy Reynolds.
250			_aFirst edition.
260			_aLondon ; _aNew York : _bBloomsbury Academic, _c2019.
300			_a1 online resource (282 pages) : _billustrations
500			_aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
504			_aIncludes bibliographical references (pages 257-270) and index.
520			_a"What is the significance of gendered identification in relation to artists' moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist film-maker Lis Rhodes, Women Artists, Feminism and the Moving Image traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very different context of today. Reflecting and building upon the practices of recuperation that continue to play a vital role in feminist art practice and scholarship, essays discuss topics such as how multiculturalism is linked to experimental and activist film history, the function and nature of the essay film, feminist curatorial practices and much more. This book transports the reader across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart. As the editor, Lucy Reynolds, argues: it is at the point where art, moving image and feminist discourse converge that a rich and dynamic intersection of dialogue and exchange opens up, bringing to attention practices which might fall outside their separate spheres, and offering fresh perspectives and insights on those already established in its histories and canons."--Bloomsbury Publishing.
533			_aElectronic reproduction. _bLondon : _cBloomsbury Publishing, _d2019. _nAvailable via World Wide Web. _nAccess limited by licensing agreement.
650			_aFeminism and art. _918070
650			_aFeminism and motion pictures. _918071
650			_aWomen artists. _918072
650			_2Film theory & criticism
700	1		_aReynolds, Lucy, _eeditor. _918073
856			_uhttps://doi.org/10.5040/9781350124295?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13215 _d13215