000			02029nmm a2200337 i 4500
005			20230705144758.0
008			191118t20192012enk ob 101 0 eng d
020			_a0857721194 _q(electronic book)
020			_a9780755698448 _q(ebook)
020			_a9780857721198 _q(electronic book)
020			_z1848856296 _q(print)
020			_z184885630X _q(print)
020			_z9780857721198 _q(ePDF)
020			_z9781848856295 _q(print)
020			_z9781848856301 _q(print)
082			_a791.430233092
100			_aSkakov, Nariman, _d1978- _eauthor. _917998
245			_aThe cinema of Tarkovsky : _blabyrinths of space and time / _cNariman Skakov.
250			_aFirst edition.
260			_aLondon [England] : _bI.B. Tauris & Co. Ltd, _c2012.
264			_a[London, England] : _bBloomsbury Publishing, _c2019.
300			_a1 online resource (274 pages).
504			_aIncludes bibliographical references and index.
520			_aThe phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means - that is, in time. Tarkovsky does not represent time through coherent argument, Nariman Skakov proposes, rather he presents it and the viewer experiences the argument. This book explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the line.
600	1	0	_aTarkovskiĭ, Andreĭ Arsenʹevich, _d1932-1986 _xCriticism and interpretation. _917999
650			_aMotion pictures _xPolitical aspects _zRussia (Federation) _y20th century. _918000
650			_aMotion pictures _zRussia (Federation) _xHistory _y20th century. _918001
650			_aIndividual film directors, film-makers _2bicssc _918002
856			_3Abstract with links to full text _uhttps://doi.org/10.5040/9780755698448?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13196 _d13196