000			02001nmm a2200337 i 4500
005			20230705144758.0
008			191118s2019 enka ob 101 0 eng d
020			_a085772214X _q(electronic book)
020			_a1299664105 _q(electronic book)
020			_a9780755698417 _q(ebook)
020			_a9780857722140 _q(electronic book)
020			_a9781299664104 _q(electronic book)
020			_z1848855974 _q(print)
020			_z9780857722140 _q(ePDF)
020			_z9781848855977 _q(print)
082			_a791.4/3653 _223
100			_aPheasant-Kelly, Frances, _d1960- _eauthor. _917994
245			_aAbject Spaces in American Cinema : _bInstitutional Settings, Identity and Psychoanalysis in Film / _cFrances Pheasant-Kelly.
250			_aFirst edition.
260			_aLondon, England : _bI.B. Tauris, _c2019.
264			_a[London, England] : _bBloomsbury Publishing, _c2019.
300			_a1 online resource (vii, 279 pages) : _billustrations (black and white).
366			_b20130515 _cIP
504			_aIncludes bibliographical references, filmography and index.
520			_aAmerican cinema abounds with films set in prisons, asylums, hospitals and other institutions. Rather than orderly places of recovery and rehabilitation, these institutional settings emerge as abject spaces of control and repression in which adult identity is threatened as a narrative impetus. Exploring the abject through issues as diverse as racism, mental illness or the preservation of bodies for organ donation, this book analyses a range of films including 'The Shawshank Redemption' (1994), 'Full Metal Jacket' (1987) and 'Girl, Interrupted' (1999) through to cult films such as 'Carrie' (1976.
650			_aAbjection in motion pictures. _917995
650			_aMotion pictures _zUnited States _xHistory. _917996
650			_aFilm theory & criticism _2bicssc _917997
856			_3Abstract with links to full text _uhttps://doi.org/10.5040/9780755698417?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13195 _d13195