000			02053nmm a2200361 i 4500
005			20230705144758.0
008			191118t20192012enka ob 101 0 eng d
020			_a0857721127 _q(electronic book)
020			_a085773136X _q(electronic book)
020			_a9780755698332 _q(ebook)
020			_a9780857721129 _q(electronic book)
020			_a9780857731364 _q(electronic book)
020			_z1848855796 _q(print)
020			_z184885580X _q(print)
020			_z9780857721129 _q(ePDF)
020			_z9781848855793 _q(print)
020			_z9781848855809 _q(print)
082			_a791.430233092 _223
100			_aTodd, Antony, _eauthor. _917990
245			_aAuthorship and the films of David Lynch : _baesthetic receptions in contemporary Hollywood / _cAntony Todd.
250			_aFirst edition.
260			_aLondon [England] : _bI.B. Tauris & Co. Ltd, _c2012.
264			_a[London, England] : _bBloomsbury Publishing, _c2019.
300			_a1 online resource (ix, 181 pages) : _billustrations.
380			_aBibliography
504			_aIncludes bibliographical references and index.
520			_aThis important new contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essence have shaped receptions of Lynch's films. It is also the first book to approach David Lynch as a figure composed through language, history and text. Tracing the development of Lynch's career from cult obscurity with Eraserhead, to star auteur through the release of Blue Velvet, and TV phenomenon Twin Peaks, Antony Todd examines how his idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Ho.
600	1	0	_aLynch, David, _d1946- _xAuthorship. _917991
600	1	0	_aLynch, David, _d1946- _xCriticism and interpretation. _917992
650			_aIndividual film directors, film-makers _2bicssc _917993
856			_3Abstract with links to full text _uhttps://doi.org/10.5040/9780755698332?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13194 _d13194