000 | 01897nmm a2200325 i 4500 | ||
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005 | 20230705144758.0 | ||
008 | 191118t20192011enka ob 101 0 eng d | ||
020 |
_a085772097X _q(electronic book) |
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020 |
_a9780755698295 _q(ebook) |
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020 |
_a9780857720979 _q(electronic book) |
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020 |
_z1848855729 _q(print) |
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020 |
_z9780857720979 _q(ePDF) |
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020 |
_z9781848855724 _q(print) |
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082 |
_a791.43655094509045 _222 |
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084 |
_a24.32 _2bcl |
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084 |
_aIV 3286 _2rvk |
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245 |
_aPopular Italian cinema : _bculture and politics in a postwar society / _cedited by Flavia Brizio-Skov. |
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250 | _aFirst edition. | ||
260 |
_aLondon [England] : _bI.B. Tauris & Co. Ltd, _c2011. |
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264 |
_a[London, England] : _bBloomsbury Publishing, _c2019. |
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300 |
_a1 online resource (xii, 283 pages) : _billustrations. |
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504 | _aIncludes bibliographical references and index. | ||
520 | _aWith its monsters, vampires and cowboys, Italian popular culture in the postwar period has generally been dismissed as a form of evasion or escapism. Here, four international scholars re-examine and reinterpret the era to show that popular Italian cinema was not only in tune with contemporary political and social trends, it also presaged the turmoil and rebellion of the 1960s and 1970s. Their analysis of peplum (or 'sword and sandal') films, horror films, spaghetti westerns and comedy Italian-style shows how genre cinema reflected the changes wrought by modernization, urbanization, consumerist. | ||
650 |
_aMotion pictures _xSocial aspects _zItaly. _917986 |
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650 |
_aMotion pictures _zItaly _xHistory _y20th century. _917987 |
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650 |
_aCultural studies _2bicssc _917988 |
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700 | 1 |
_aBrizio-Skov, Flavia, _eeditor. _917989 |
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856 |
_3Abstract with links to full text _uhttps://doi.org/10.5040/9780755698295?locatt=label:secondary_bloomsburyCollections |
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942 | _cEBK | ||
999 |
_c13193 _d13193 |