000			02222nmm a2200421 i 4500
005			20230705144757.0
008			191118t20192007enka ob 101 0 eng d
010			_z 2008298581 (print)
020			_a1435691326 _q(electronic book)
020			_a6000011504 _q(e-book)
020			_a9780755696574 _q(ebook)
020			_a9781435691322 _q(electronic book)
020			_a9786000011505 _q(e-book)
020			_z0857713299 _q(print)
020			_z1845115619 _q(paperback)
020			_z1845115627 _q(hbk.)
020			_z9780857713292 _q(ePDF)
020			_z9781845115616 _q(paperback)
020			_z9781845115623 _q(print)
082			_a791.43082 _222
084			_a24.34 _2bcl
100			_aHanson, Helen, _eauthor. _917959
245			_aHollywood heroines : _bwomen in film noir and the female gothic film / _cby Helen Hanson.
250			_aFirst edition.
260			_aLondon [England] : _bI.B. Tauris & Co. Ltd, _c2007.
264			_a[London, England] : _bBloomsbury Publishing, _c2019.
300			_a1 online resource (xx, 251 pages) : _billustrations.
504			_aIncludes bibliographical references (pages 231-244) and index.
504			_aIncludes filmography: pages 225-230.
520			_aThe endangered and dangerous female figures of "Rebecca", of "Jagged Edge" and "What Lies Beneath" have a deserved and endures fascination. Helen Hanson re-examines these gothic heroines of Hollywood and their meanings, in two of Hollywood's key generic cycles, film noir and the female gothic film. Starting at the beginning, with the origin of these cycles and the ways in which they represented women in the American film industry and culture of the 1940s, she traces their revival in neo-noir and neo-gothic films from the 1980s to the present. She also places the f.
650			_aFilm noir _zUnited States _xHistory and criticism. _917960
650			_aHeroines in motion pictures. _917961
650			_aMotion pictures for women _zUnited States. _917962
650			_aWomen in motion pictures. _917963
650			_aFilm theory & criticism _2bicssc _917964
856			_3Abstract with links to full text _uhttps://doi.org/10.5040/9780755696574?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13187 _d13187