000			02148nmm a2200313 i 4500
005			20230705144756.0
008			191118t20192005enka ob 101 0 eng d
020			_a9780755694167
020			_z9781850439479 _q(print)
020			_z1850438587 _q(print)
020			_z9781850438588 _q(print)
020			_z1850439478 _q(print)
020			_z9780857721891 _q(PDF)
082			_a791.4302/330922 _222
100			_aMoor, Andrew, _eauthor. _917922
245			_aPowell & Pressburger : _ba cinema of magic spaces / _cAndrew Moor.
246	3		_aPowell and Pressburger
250			_aFirst edition.
260			_aLondon [England] : _bI.B. Tauris & Co. Ltd, _c2005.
264			_a[London, England] : _bBloomsbury Publishing, _c2019.
300			_a1 online resource (xii, 250 pages) : _billustrations.
504			_aIncludes bibliographical references (pages 239-244) and index.
520			_aThe filmmaking partnership of Michael Powell and Emeric Pressburger was one of the most remarkable and visionary in cinema. They made an extraordinary range of films, from The Spy in Black and The Life and Death of Colonel Blimp to A Canterbury Tale and The Red Shoes. With champions like Martin Scorsese and Francis Ford Coppola, and revived critical interest worldwide, they now find new generations of admirers. This illuminating new book looks closely at these classic films to explore their complex relationship to national identity, and their developing interest in exile, borderlands, utopias, escapism, art and fantasy. Moor reveals how the visual imagery of the films of World War II question current cinematic styles and how post-war films like The Red Shoes and The Tales of Hoffman - in their highly expressive use of design, music and dance - are international in character.
600	1	0	_aPowell, Michael, _d1905-1990 _xCriticism and interpretation. _917923
600	1	0	_aPressburger, Emeric, _d1902-1988 _xCriticism and interpretation. _917924
650			_2Individual film directors, film-makers
856			_3Abstract with links to full text _uhttps://doi.org/10.5040/9780755694167?locatt=label:secondary_bloomsburyCollections
942			_cEBK
999			_c13178 _d13178