| 000 | 01744nmm a2200313 i 4500 | ||
|---|---|---|---|
| 005 | 20230705144756.0 | ||
| 008 | 191118t20192005enka ob 101 0 eng d | ||
| 020 |
_a1423709454 _q(electronic book) |
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| 020 |
_a9780755604890 _q(ebook) |
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| 020 |
_a9781423709459 _q(electronic book) |
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| 020 |
_z0857710265 _q(print) |
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| 020 |
_z1850434050 _q(print) |
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| 020 |
_z9780857710260 _q(ePDF) |
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| 020 |
_z9781850434054 _q(print) |
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| 082 |
_a791.4/30233/092 _222 |
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| 100 |
_aWiddis, Emma, _d1970- _eauthor. _917904 |
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| 245 |
_aAlexander Medvedkin / _cEmma Widdis. |
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| 250 | _aFirst edition. | ||
| 260 |
_aLondon [England] : _bI.B. Tauris & Co. Ltd, _c2005. |
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| 264 |
_a[London, England] : _bBloomsbury Publishing, _c2019. |
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| 300 |
_a1 online resource (154 pages) : _billustrations. |
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| 504 | _aFilmography: pages 143-152. | ||
| 504 | _aIncludes bibliographical references (pages 153-154). | ||
| 520 |
_a"This first introduction to Medvedkin's film-making career traces his process of developing a unique brand of cinematic satire throughout the period of the Soviet revolutionary experiment. Using original archival material and Medvedkin's writings towards his unfinished autobiography, Widdis explores his films from the 1936 The Miracle Worker, through the unreleased New Moscow of 1938 and the experimental 'film train' - or kinopoezd - up to the rediscovery of his 1934 film Happiness in the 1960s."-- _cProvided by publisher. |
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| 600 | 1 | 0 |
_aMedvedkin, Alexander _xCriticism and interpretation. _917905 |
| 650 |
_aIndividual film directors, film-makers _2bicssc _917906 |
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| 856 |
_3Abstract with links to full text _uhttps://doi.org/10.5040/9780755604890?locatt=label:secondary_bloomsburyCollections |
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| 942 | _cEBK | ||
| 999 |
_c13174 _d13174 |
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