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A concise companion to visual culture / edited by A. Joan Saab, Aubrey Anable, Catherine Zuromskis.

Contributor(s): Material type: Computer fileComputer fileSeries: Wiley Blackwell companions to cultural studies ; 20Publication details: Hoboken, NJ : John Wiley & Sons, Inc., 2021.Description: 1 online resource (xviii, 493 pages) : illustrationsISBN:
  • 9781119415480
  • 1119415489
  • 9781119415473
  • 1119415470
  • 9781119415442
  • 1119415446
Subject(s): DDC classification:
  • 701/.03 23
Online resources: Summary: "We approach visual culture pedagogy through an account of our academic training and work histories as they informed our book Practices of Looking: An Introduction to Visual Culture in its three very different editions (2001, 2008, 2017). Our experience was unusually broad, spanning art and media practice, cultural studies, critical theory, cultural history, and media activism. With this mixed approach, we helped to introduce a range of images and image-making cultures and technologies, beyond art and film, to the then-nascent visual culture field. In this account, we aim to show how visual culture was, in the 1990s, not just a new direction in art history or a merger between art history and film studies. Rather, the field's emergence was also motivated by political movements and their multimodal forms of practice, as well as by a commitment to recognizing and studying images and imaging technologies at work in a host of institutions and practices beyond fine art, popular media, and art cinema"-- Provided by publisher.
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Item type Home library Call number Status Date due Barcode Item holds
e-Book e-Book S. R. Ranganathan Learning Hub Online 701/.03 (Browse shelf(Opens below)) Available EB1283
Total holds: 0

Includes bibliographical references and index.

"We approach visual culture pedagogy through an account of our academic training and work histories as they informed our book Practices of Looking: An Introduction to Visual Culture in its three very different editions (2001, 2008, 2017). Our experience was unusually broad, spanning art and media practice, cultural studies, critical theory, cultural history, and media activism. With this mixed approach, we helped to introduce a range of images and image-making cultures and technologies, beyond art and film, to the then-nascent visual culture field. In this account, we aim to show how visual culture was, in the 1990s, not just a new direction in art history or a merger between art history and film studies. Rather, the field's emergence was also motivated by political movements and their multimodal forms of practice, as well as by a commitment to recognizing and studying images and imaging technologies at work in a host of institutions and practices beyond fine art, popular media, and art cinema"-- Provided by publisher.

Wiley Frontlist Obook All English 2021

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