Image from Google Jackets

The Anthem handbook of screen theory / edited by Hunter Vaughan and Tom Conley.

Contributor(s): Material type: Computer fileComputer filePublication details: London : Anthem Press, 2018.Description: 1 online resource (xv, 353 pages) : digital, PDF file(s)ISBN:
  • 9781783088249 (ebook)
Subject(s): DDC classification:
  • 791.4301 23
Online resources: Summary: The Anthem Handbook of Screen Theory' offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the "handbook" angle, the book includes only original essays from two primary sources: established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. The main purpose of this method is to guarantee a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and to reveal the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Home library Call number Status Date due Barcode Item holds
e-Book e-Book S. R. Ranganathan Learning Hub Online 791.4301 (Browse shelf(Opens below)) Available EB1175
Total holds: 0

Title from publisher's bibliographic system (viewed on 26 Sep 2018).

The Anthem Handbook of Screen Theory' offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the "handbook" angle, the book includes only original essays from two primary sources: established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. The main purpose of this method is to guarantee a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and to reveal the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments.

There are no comments on this title.

to post a comment.