TY  - DATA
AU  - Ament, Vanessa Theme,
TI  - Divergent tracks: how three film communities revolutionized digital film sound 
SN  - 9781501359194
U1  - 791.4302/4 23
PY  - 2021///
CY  - [London, England]
PB  - Bloomsbury Publishing
KW  - Sound
KW  - Recording and reproducing
KW  - Digital techniques
KW  - Computer sound processing
KW  - Motion pictures
KW  - Sound effects
KW  - Digital cinematography
KW  - Film theory & criticism
KW  - bicssc
N1  - Includes bibliographical references and index
N2  - "By examining three case studies of award-winning soundtracks from cult films- Barton Fink (1991), Bram Stoker's Dracula (1992), and The English Patient (1996)-it becomes clear that major American film communities, when confronted with the initial technological changes of the 1990s, experienced similar challenges with the inelegant transition from analogue to digital. However, their cultural and structural labor differences governed different results. Vanessa Ament, author of The Foley Grail (2009), rather than defining the 1990s as an era of technological determinism-a superficial reading-it is best understood as one in which sound professionals became more viable as artists, collaborated in sound design authorship, and influenced this digital transition to better accommodate their needs and desires in their work."--
UR  - https://doi.org/10.5040/9781501359194?locatt=label:secondary_bloomsburyCollections
ER  -