TY  - DATA
AU  - Brown, William,
TI  - Non-cinema: global digital film-making and the multitude 
SN  - 9781501327285
PY  - 2018///
CY  - New York, NY
PB  - Bloomsbury Academic
KW  - Cult films
KW  - Motion pictures and history
KW  - Motion pictures
KW  - History
KW  - Films, cinema
N1  - Includes bibliographical references (pages 271-290) and index; Electronic reproduction; London; Bloomsbury Publishing; 2018; Available via World Wide Web; Access limited by licensing agreement
N2  - "Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa."--Bloomsbury Publishing
UR  - https://doi.org/10.5040/9781501327285?locatt=label:secondary_bloomsburyCollections
ER  -