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World cinema on demand : global film cultures in the era of online distribution / [edited by] Stefano Baschiera and Alexander Fisher.

Contributor(s): Material type: Computer fileComputer file[London, England] : Bloomsbury Publishing, 2022Edition: First editionDescription: 1 online resource (208 pages) : illustrationsISBN:
  • 9781501348624
  • 9781501348600
Subject(s): DDC classification:
  • 333.3387 23
Online resources: Summary: "World Cinema on Demand brings together diverse contributions by leading film and media scholars to examine world cinema's dialogue with the transformations that took place during 2010-2014, engaging directly with ongoing debates surrounding national cinema, transnational identity, and cultural globalization, as well as ideas about genre, fandom and cinephilia. The contributions look at individual national patterns of online distribution, engaging with archives, SVODS and torrent communities. The essays also investigate the cross-cultural presence of world cinema in non-domestic online markets (such as Europe's, for example). As a result, the volume sheds light on geo-politically specific issues of film circulation, consumption and preservation within a range of culturally diverse filmmaking contexts, including case studies from India, Nigeria, Mexico and China. In this way, the collection maps the impact of different online formats of distribution in the understanding of World Cinema, underlining the links between distribution and media provisions as well as engaging with new forms of intermediation."-- Provided by publisher.
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Item type Home library Call number Status Date due Barcode Item holds
e-Book e-Book S. R. Ranganathan Learning Hub Online 333.3387 (Browse shelf(Opens below)) Available EB0859
Total holds: 0

Includes index.

"World Cinema on Demand brings together diverse contributions by leading film and media scholars to examine world cinema's dialogue with the transformations that took place during 2010-2014, engaging directly with ongoing debates surrounding national cinema, transnational identity, and cultural globalization, as well as ideas about genre, fandom and cinephilia. The contributions look at individual national patterns of online distribution, engaging with archives, SVODS and torrent communities. The essays also investigate the cross-cultural presence of world cinema in non-domestic online markets (such as Europe's, for example). As a result, the volume sheds light on geo-politically specific issues of film circulation, consumption and preservation within a range of culturally diverse filmmaking contexts, including case studies from India, Nigeria, Mexico and China. In this way, the collection maps the impact of different online formats of distribution in the understanding of World Cinema, underlining the links between distribution and media provisions as well as engaging with new forms of intermediation."-- Provided by publisher.

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