Performing femininity : woman as performer in early Russian cinema / Rachel Morley.
Material type: Computer fileLondon, England : Bloomsbury Publishing, 2019Edition: First editionDescription: 1 online resource (xv, 288 pages) : illustrationsISBN:- 9781350987487
- Woman as performer in early Russian cinema
- 791.430947Â 23
Item type | Home library | Call number | Status | Date due | Barcode | Item holds | |
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e-Book | S. R. Ranganathan Learning Hub Online | 791.430947 (Browse shelf(Opens below)) | Available | EB0952 |
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Filmography: pages 274-278.
Includes bibliographical references (pages 260-273) and index.
From Oriental dancers to ballerinas and opera singers, the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From Romashkov's Stenka Razin (1908), to Viskovsky's The Last Tango (1918), the female performer remains central. In this groundbreaking new study, Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers used this archetype of femininity to experiment and develop a unique cinematic language.
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