MARC details
000 -LEADER |
fixed length control field |
01973nam a2200277Ia 4500 |
000 - LEADER |
fixed length control field |
02905nam a22003135i 4500 |
001 - CONTROL NUMBER |
control field |
978-3-031-31451-3 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
DE-He213 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240319121004.0 |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
cr nn 008mamaa |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
230714s2023 sz | s |||| 0|eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9783031314513 |
-- |
978-3-031-31451-3 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
780.0519 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Almada, Carlos de Lemos. |
9 (RLIN) |
34621 |
245 ## - TITLE STATEMENT |
Title |
Musical Variation |
Statement of responsibility, etc. |
by Carlos de Lemos Almada. |
Medium |
[electronic resource] : |
250 ## - EDITION STATEMENT |
Edition statement |
1st ed. 2023. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Cham |
Name of publisher, distributor, etc. |
Springer Nature Switzerland |
Date of publication, distribution, etc. |
2023 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
XXXV, 307 p. 1 illus. |
Other physical details |
online resource. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951). The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music. The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis. The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Applications of Mathematics. |
9 (RLIN) |
34622 |
|
Topical term or geographic name entry element |
Mathematics in Music. |
9 (RLIN) |
34623 |
|
Topical term or geographic name entry element |
Mathematics. |
9 (RLIN) |
34624 |
|
Topical term or geographic name entry element |
Music |
9 (RLIN) |
34625 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://doi.org/10.1007/978-3-031-31451-3">https://doi.org/10.1007/978-3-031-31451-3</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |
Source of classification or shelving scheme |
Dewey Decimal Classification |