What Rosalind Likes : (Record no. 14086)
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000 -LEADER | |
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fixed length control field | 02125nmm a2200193 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20230722112450.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 220623s2022 enk|||||o|||||||||||eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780191948015 |
Qualifying information | electronic book |
Terms of availability | No price |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 821 |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Hecht, Paul J. |
Relator term | author |
9 (RLIN) | 23310 |
245 ## - TITLE STATEMENT | |
Title | What Rosalind Likes : |
Remainder of title | pastoral, gender, and the founding of English Verse / |
Statement of responsibility, etc. | Paul J. Hecht |
260 #1 - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Oxford : |
Name of publisher, distributor, etc. | Oxford University Press |
Date of publication, distribution, etc. | 2022 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 224 p |
Other physical details | illustrations(colour) |
520 ## - SUMMARY, ETC. | |
Summary, etc. | What Rosalind Likes begins with the strange ferocity of Elizabethan responses to poetry: a woman named Rosalind expresses scorn for a shepherd's poems, and a character in a play loses his temper and storms off stage at the sound of a blank verse line. What are these people so angry about? Thus begins a journey into a world where the details of poetic form and vagaries of Latin translation are caught up in the dynamics of gender, sexuality, class, and race, and power, where too much alliteration, for example, could destabilize your gender or pose a threat to national security. Situated in the crucial final two decades of the sixteenth century, What Rosalind Likes takes three figures named "Rosalind" in works by Spenser (The Shepheardes Calender), Lodge (Rosalynde), and Shakespeare (As You Like It) to create a new approach to literary history and feminist criticism. The development and emergence of Rosalind as one of the most famous and beloved characters in the Shakespeare canon is thus connected to the troubled history of Virgilian reception, to tensions between aesthetics and sexual empowerment and powerlessness, to methodology associated with postcritique, including surface reading and the valorization of negative emotions, and to queer theology. The book ends by thinking about Rosalind with respect to the poetry of Mary Wroth, and examining depictions of Rosalind on stage and screen by Dora Jordan and Katharine Hepburn. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Women in literature |
9 (RLIN) | 23311 |
Topical term or geographic name entry element | Literature and society |
9 (RLIN) | 23312 |
856 ## - ELECTRONIC LOCATION AND ACCESS | |
Host name | Oxford Academic |
Uniform Resource Identifier | <a href="https://doi.org/10.1093/oso/9780192857200.001.0001">https://doi.org/10.1093/oso/9780192857200.001.0001</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | e-Book |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Source of acquisition | Total Checkouts | Barcode | Date last seen | Price effective from | Koha item type |
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Dewey Decimal Classification | S. R. Ranganathan Learning Hub | S. R. Ranganathan Learning Hub | Online | 2023-07-22 | Veda Library Solutions, Greater Noida | EB1525 | 2023-07-22 | 2023-07-22 | e-Book |