What Rosalind Likes : (Record no. 14086)

MARC details
000 -LEADER
fixed length control field 02125nmm a2200193 i 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230722112450.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220623s2022 enk|||||o|||||||||||eng|d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780191948015
Qualifying information electronic book
Terms of availability No price
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 821
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Hecht, Paul J.
Relator term author
9 (RLIN) 23310
245 ## - TITLE STATEMENT
Title What Rosalind Likes :
Remainder of title pastoral, gender, and the founding of English Verse /
Statement of responsibility, etc. Paul J. Hecht
260 #1 - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford :
Name of publisher, distributor, etc. Oxford University Press
Date of publication, distribution, etc. 2022
300 ## - PHYSICAL DESCRIPTION
Extent 224 p
Other physical details illustrations(colour)
520 ## - SUMMARY, ETC.
Summary, etc. What Rosalind Likes begins with the strange ferocity of Elizabethan responses to poetry: a woman named Rosalind expresses scorn for a shepherd's poems, and a character in a play loses his temper and storms off stage at the sound of a blank verse line. What are these people so angry about? Thus begins a journey into a world where the details of poetic form and vagaries of Latin translation are caught up in the dynamics of gender, sexuality, class, and race, and power, where too much alliteration, for example, could destabilize your gender or pose a threat to national security. Situated in the crucial final two decades of the sixteenth century, What Rosalind Likes takes three figures named "Rosalind" in works by Spenser (The Shepheardes Calender), Lodge (Rosalynde), and Shakespeare (As You Like It) to create a new approach to literary history and feminist criticism. The development and emergence of Rosalind as one of the most famous and beloved characters in the Shakespeare canon is thus connected to the troubled history of Virgilian reception, to tensions between aesthetics and sexual empowerment and powerlessness, to methodology associated with postcritique, including surface reading and the valorization of negative emotions, and to queer theology. The book ends by thinking about Rosalind with respect to the poetry of Mary Wroth, and examining depictions of Rosalind on stage and screen by Dora Jordan and Katharine Hepburn.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Women in literature
9 (RLIN) 23311
Topical term or geographic name entry element Literature and society
9 (RLIN) 23312
856 ## - ELECTRONIC LOCATION AND ACCESS
Host name Oxford Academic
Uniform Resource Identifier <a href="https://doi.org/10.1093/oso/9780192857200.001.0001">https://doi.org/10.1093/oso/9780192857200.001.0001</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type e-Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Source of acquisition Total Checkouts Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     S. R. Ranganathan Learning Hub S. R. Ranganathan Learning Hub Online 2023-07-22 Veda Library Solutions, Greater Noida   EB1525 2023-07-22 2023-07-22 e-Book