MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01584nmm a2200229 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20230722112443.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
170428r20192017nyua fob 001|0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780231543125 (ebook) : |
| Terms of availability |
No price |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
302.2343 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Balsom, Erika, |
| Relator term |
author. |
| 9 (RLIN) |
22950 |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
After uniqueness : |
| Remainder of title |
a history of film and video art in circulation / |
| Statement of responsibility, etc. |
Erika Balsom. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
New York : |
| Name of publisher, distributor, etc. |
Columbia University Press, |
| Date of publication, distribution, etc. |
2019. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource : |
| Other physical details |
illustrations (black and white). |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, 'After Uniqueness' traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity - or both at once. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion picture audiences |
| General subdivision |
History. |
| 9 (RLIN) |
22951 |
|
|---|
| Topical term or geographic name entry element |
Video art |
| General subdivision |
History. |
| 9 (RLIN) |
22952 |
|
|---|
| Topical term or geographic name entry element |
Motion pictures and the arts. |
| 9 (RLIN) |
22953 |
|
|---|
| Topical term or geographic name entry element |
Art and motion pictures. |
| 9 (RLIN) |
22954 |
|
|---|
| Topical term or geographic name entry element |
Motion picture industry |
| General subdivision |
Technological innovations. |
| 9 (RLIN) |
22955 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="http://dx.doi.org/10.7312/columbia/9780231176934.001.0001">http://dx.doi.org/10.7312/columbia/9780231176934.001.0001</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
e-Book |
