MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01719nmm a2200217 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230722112440.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
200814s2020 nyua fob 001|0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780197515358 (ebook) : |
| Terms of availability |
No price |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.43028 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Callahan, Dan, |
| Dates associated with a name |
1977- |
| Relator term |
author. |
| 9 (RLIN) |
22844 |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The camera lies : |
| Remainder of title |
acting for Hitchcock / |
| Statement of responsibility, etc. |
by Dan Callahan. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
New York : |
| Name of publisher, distributor, etc. |
Oxford University Press, |
| Date of publication, distribution, etc. |
2020. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (272 pages) : |
| Other physical details |
illustrations. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Though he was known for saying, "Actors are cattle," Alfred Hitchcock had highly specific ideas about film acting, which he saw in terms of contrast and counterpoint. Hitchcock was a theorist of acting, which he proved in some of his lesser-known 1930s interviews, and he has not been given his due as a director of actors. He felt that the camera was duplicitous and that it could be made to lie, and so he loved his actors to look one way and to be another, or to do one thing and suggest another. The best Hitchcock actor was one, the Master said, who could "do nothing well," to which he always added that this was actually difficult to do. This book will analyse actors in Hitchcock films, exploring what acting for Hitchcock entailed and what acting is and can be in the cinema. |
| 600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hitchcock, Alfred, |
| Dates associated with a name |
1899-1980 |
| General subdivision |
Criticism and interpretation. |
| 9 (RLIN) |
22845 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
Production and direction |
| Geographic subdivision |
Great Britain |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
22846 |
|
|---|
| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
Production and direction |
| Geographic subdivision |
United States |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
22847 |
|
|---|
| Topical term or geographic name entry element |
Motion picture acting |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
22848 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://dx.doi.org/10.1093/oso/9780197515327.001.0001">https://dx.doi.org/10.1093/oso/9780197515327.001.0001</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
e-Book |
