MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01573nmm a2200217 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20230722112438.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
190813r20202019enka fob 001|0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781474476676 (ebook) : |
| Terms of availability |
No price |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.43 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Cooper, Sarah, |
| Dates associated with a name |
1971- |
| Relator term |
author. |
| 9 (RLIN) |
22743 |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Film and the imagined image / |
| Statement of responsibility, etc. |
Sarah Cooper. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Oxford : |
| Name of publisher, distributor, etc. |
Oxford University Press, |
| Date of publication, distribution, etc. |
2020. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (viii, 199 pages) : |
| Other physical details |
illustrations (black and white). |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen. This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion pictures. |
| 9 (RLIN) |
22744 |
|
|---|
| Topical term or geographic name entry element |
Film criticism. |
| 9 (RLIN) |
22745 |
|
|---|
| Topical term or geographic name entry element |
Imagination. |
| 9 (RLIN) |
22746 |
|
|---|
| Topical term or geographic name entry element |
Imagination in motion pictures. |
| 9 (RLIN) |
22747 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://dx.doi.org/10.3366/edinburgh/9781474452786.001.0001">https://dx.doi.org/10.3366/edinburgh/9781474452786.001.0001</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
e-Book |
