MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01744nmm a2200229 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20230705145115.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
201125s2017||||ne o ||1 0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9789048530250 (ebook) |
|
|---|
| Canceled/invalid ISBN |
9789462980778 (hardback) |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.4301 |
| Edition number |
23 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hven, Steffen, |
| Relator term |
author. |
| 9 (RLIN) |
19529 |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Cinema and narrative complexity : |
| Remainder of title |
embodying the fabula / |
| Statement of responsibility, etc. |
Steffen Hven. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Amsterdam : |
| Name of publisher, distributor, etc. |
Amsterdam University Press, |
| Date of publication, distribution, etc. |
2017. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (253 pages) : |
| Other physical details |
digital, PDF file(s). |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Title from publisher's bibliographic system (viewed on 14 Dec 2020). |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Cinema in the interstices -- Narrative ambiguity in the classical cinema -- Modern(ist) cinema: logic of the encounter -- Towards the embodied fabula -- The complexity of complex narratives -- Memento and the embodied fabula. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
History. |
| 9 (RLIN) |
19530 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Film culture in transition. |
| 9 (RLIN) |
19531 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://www.cambridge.org/core/product/identifier/9789048530250/type/BOOK">https://www.cambridge.org/core/product/identifier/9789048530250/type/BOOK</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
e-Book |
