MARC details
000 -LEADER |
fixed length control field |
01832nmm a2200229 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705145113.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
201022s2019||||ne o ||1 0|eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9789048526253 (ebook) |
|
Canceled/invalid ISBN |
9789089648006 (hardback) |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.436120945 |
Edition number |
23 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Pitassio, Francesco, |
Relator term |
author. |
9 (RLIN) |
19431 |
245 ## - TITLE STATEMENT |
Title |
Neorealist film culture, 1945-1954 : |
Remainder of title |
Rome, open cinema / |
Statement of responsibility, etc. |
Francesco Pitassio. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Amsterdam : |
Name of publisher, distributor, etc. |
Amsterdam University Press, |
Date of publication, distribution, etc. |
2019. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (384 pages) : |
Other physical details |
digital, PDF file(s). |
500 ## - GENERAL NOTE |
General note |
Title from publisher's bibliographic system (viewed on 20 Nov 2020). |
520 ## - SUMMARY, ETC. |
Summary, etc. |
Unique, truthful, brutal ... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visual culture and photography, as well as media discourses. It was internally contradictory but fruitful inasmuch as its legacy influenced national culture for many decades to come. The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance. The aim is to deconstruct neorealism as a monument and to open up its cultural history. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Realism in motion pictures. |
9 (RLIN) |
19432 |
|
Topical term or geographic name entry element |
Motion pictures |
Geographic subdivision |
Italy |
General subdivision |
History. |
9 (RLIN) |
19433 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
Uniform title |
Film culture in transition. |
9 (RLIN) |
19434 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://www.cambridge.org/core/product/identifier/9789048526253/type/BOOK">https://www.cambridge.org/core/product/identifier/9789048526253/type/BOOK</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |