MARC details
000 -LEADER |
fixed length control field |
01986nmm a2200229 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705145113.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
201022s2020||||ne o ||1 0|eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9789048542055 (ebook) |
|
Canceled/invalid ISBN |
9789462989498 (hardback) |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
302.23 |
Edition number |
23 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Colangelo, Dave, |
Relator term |
author. |
9 (RLIN) |
19427 |
245 ## - TITLE STATEMENT |
Title |
The building as screen : |
Remainder of title |
a history, theory, and practice of massive media / |
Statement of responsibility, etc. |
Dave Colangelo. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Amsterdam : |
Name of publisher, distributor, etc. |
Amsterdam University Press, |
Date of publication, distribution, etc. |
2020. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (192 pages) : |
Other physical details |
digital, PDF file(s). |
500 ## - GENERAL NOTE |
General note |
Title from publisher's bibliographic system (viewed on 20 Nov 2020). |
520 ## - SUMMARY, ETC. |
Summary, etc. |
The Building as Screen: A History, Theory, and Practice of Massive Media describes, historicizes, theorizes, and creatively deploys massive media - a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal's Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Mass media. |
9 (RLIN) |
19428 |
|
Topical term or geographic name entry element |
Architectural design |
General subdivision |
Technological innovations. |
9 (RLIN) |
19429 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
Uniform title |
MediaMatters. |
9 (RLIN) |
19430 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://www.cambridge.org/core/product/identifier/9789048542055/type/BOOK">https://www.cambridge.org/core/product/identifier/9789048542055/type/BOOK</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |