MARC details
000 -LEADER |
fixed length control field |
02024nmm a2200217 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705145112.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
210512s2021||||enk o ||1 0|eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781785277740 (ebook) |
|
Canceled/invalid ISBN |
9781785277733 (hardback) |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.436164 |
Edition number |
23 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
McDonald, Keith, |
Relator term |
author. |
9 (RLIN) |
19363 |
245 ## - TITLE STATEMENT |
Title |
Contemporary gothic and horror film : |
Remainder of title |
transnational perspectives / |
Statement of responsibility, etc. |
Keith McDonald and Wayne Johnson. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
London : |
Name of publisher, distributor, etc. |
Anthem Press, |
Date of publication, distribution, etc. |
2021. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (167 pages) : |
Other physical details |
digital, PDF file(s). |
500 ## - GENERAL NOTE |
General note |
Title from publisher's bibliographic system (viewed on 04 Jun 2021). |
520 ## - SUMMARY, ETC. |
Summary, etc. |
This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has 'trans'-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Horror films |
General subdivision |
History and criticism. |
9 (RLIN) |
19364 |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Johnson, Wayne, |
Dates associated with a name |
1976- |
Relator term |
author. |
9 (RLIN) |
19365 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://www.cambridge.org/core/product/identifier/9781785277740/type/BOOK">https://www.cambridge.org/core/product/identifier/9781785277740/type/BOOK</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |