MARC details
| 000 -LEADER |
|---|
| fixed length control field |
02246nmm a2200217 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230705145107.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
220406s2022||||ne o ||1 0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9789048543885 (ebook) |
|
|---|
| Canceled/invalid ISBN |
9789463728300 (hardback) |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.430947 |
| Edition number |
23 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Grgić, Ana, |
| Relator term |
author. |
| 9 (RLIN) |
19163 |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Early cinema, modernity and visual culture : |
| Remainder of title |
the imaginary of the Balkans / |
| Statement of responsibility, etc. |
Ana Grgić. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Amsterdam : |
| Name of publisher, distributor, etc. |
Amsterdam University Pres, |
| Date of publication, distribution, etc. |
2022. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (277 pages) : |
| Other physical details |
digital, PDF file(s). |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Title from publisher's bibliographic system (viewed on 07 Apr 2022). |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
The end of the nineteenth century saw the Balkans animated with cultural movements and socio-political turmoil. Alongside these developments, the proliferation of print media and the arrival of moving images was transforming urban life and played a significant role in the creation of national culture. Based on archival research and previously overlooked footage and early press materials, this book is the first study on early cinema in the region from a transnational and cross-cultural perspective. The work investigates how the unique geopolitical positioning of the Balkan space and the multi-cultural identity of its communities influenced and shaped visual culture and early cinema development. Moreover, it examines the relationship between the new medium and visual culture through the notion of the haptic, and explores the role early cinema and foreign productions played in the construction of Balkanist and semi-colonial discourses. Reframing hierarchical relations between 'centres' and 'peripheries', this book departs from approaches such as 'new cinema history' and 'vernacular modernity' to counter modernity discourses of 'lacks and absences', and instead, establishes new connections between moving image and print artefacts, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion pictures |
| Geographic subdivision |
Europe, Eastern |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
19164 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Eastern European screen cultures. |
| 9 (RLIN) |
19165 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="http://www.cambridge.org/core/product/identifier/9789048543885/type/BOOK">http://www.cambridge.org/core/product/identifier/9789048543885/type/BOOK</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
e-Book |
